Botticelli, as a humanist painter of the Florentine Renaissance, had as a model the Venus of Medici and the platonic resonances, especially from the passage of The Banquet, that approach the peculiar aspects of each one of the Venuses: There were celebrations for Aphrodite, Aphrodisias was an annual festival, where she was honored by sensual love. Cregorius's treatment of Venus is striking in its physicality; he describes tll. The eternally born Venus of the Uffizi was placed, in thought, beside the eternally deceased Venus of the Prado. Bruno Roy Quebec: Venus symbolizes the power of nature and fertility.
Museo Nacional del Prado.
VENUS - NAKED FEMALE CONFESSIONS
Venus of Willendorf. However, in front of this secular perspective, the art history proposed by Vasari - in the 16th century - and by Winckelmann - in the 18th century - had its pillars modified. InSaint Porphyry led a crowd of Christians, carrying a cross, into the city of Gaza and up to a statue of the naked Aphrodite that had long been venerated by the women of the city who desired marriage. From Italy, where the paintings of naked goddesses were very into mode, these were distributed by the rest of Europe. Thus, Georges Didi-Huberman questions and criticizes the pureness of Venus emphasized by Kenneth Clark, when wanting to consider the Birth of Venus as the most radiant picture in the European art, as Ronald Lightbown wanted. State University of New York Press,
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